
Hi everyone,
I did two articles for a big spread on food and food culture for the May issue of Paper, and they’re finally up online! I hope you enjoy them. I was not present when the amazing photos were taken, but I wish I was.
The Food Networks: Scribe Winery
The Food Networks: The Pizza Project
I have yet to see the print issue, but you will know when I do, because my squee-ing will be heard from thousands of miles away.
(Also, yes, Andrew Mariani really does look like a male model in person.)
“It is a wild time here [in San Francisco], is it not?” I said to the man.
“It is wild. I fear it has ruined my character. It has certainly ruined the characters of others.” He nodded, as though answering himself. “Yes, it has ruined me.”
“How are you ruined?” I asked.
“How am I not?” he wondered.
“Couldn’t you return to your home to start over?”
He shook his head. “Yesterday I saw a man leap from the roof of the Orient Hotel, laughing all the way to the ground, upon which he fairly exploded. He was drunk, they say, but I had seen him sober shortly before this. There is a feeling here, which if it gets you, will envenom your very center. It is a madness of possibilities. That leaping man’s final act was the embodiment of the collective mind of San Francisco. I understood it completely. I had a strong desire to applaud, if you want to know the truth.”
“I don’t understand the purpose of this story,” I said.
“I could leave here and return to my hometown, but I would not return as the person I was when I left,” he explained. “I would not recognize anyone. And no one would recognize me.” Turning to watch the town, he petted his fowl and chuckled. A single pistol shot was heard in the distance; hoofbeats; a woman’s scream, which turned to cackling laughter. “A great, greedy heart!” he said, and then walked toward it, disappearing into it.
— Patrick Dewitt, The Sisters Brothers
I never thought I’d say this, but I’m with you on this one, Shep.
I think my writing here can sometimes seem like it’s about a desperate search for a boyfriend, but what it’s really about is a search for self-mastery. I don’t know or understand myself at all, and I feel that more and more each day, when I should actually be feeling comfortable and growing into myself. Each interaction should be a chance to fail upwards, but instead, I fail into a place of deep sadness, fall away back into my solitude, feel so empty, unconnected, untethered. These little kinships should be bringing me closer to humanity, not making me feel increasingly disconnected from all of it.
I walk to my dates, and homeless men accost me, wink, holler, tell me about my shoes or my outfit. Then I get to where I’m going, and I feel tiny, unmoored, ignored. An iPhone and a watch are much more interesting than anything I have to say, and I get left with a cursory goodbye that clearly indicates this is the beginning and end of the interaction. Then it’s back to my house, more yelling, more “hey girl,” more chatter. The mix of fear and disinterest, of feeling the other person’s boredom on the date and feigning my own cultivated boredom on the street, feels so toxic. It’s a potent reminder that I’m being judged every second of the day, because I am.
I don’t feel like a body. I don’t feel like the clothes that body wears. I don’t even really sometimes feel like the words that come out of my mouth. I feel like my mind and what I think and what I feel. In my house, I can be all of those things; with my friends, I can be all of those things. But outside, I’m everyone’s business, whether they decide to verbalize it or not. And I. Hate. It.
I try to look at the first two panels of this comic a lot, but it doesn’t make the feeling go away. There’s a lot of hurt and anger in there. And sometimes, just when I feel free, I get reminded of what I am and what I’m doing again, and I crash back down to Earth, hard.
I feel so cramped inside of myself, like my soul is just this tangle of kudzu about to burst out of my body.
These ads have been popping up all over the Muni underground. Part of me is astonished by them; we live in a world where HIV not only isn’t a death sentence, but allows you to live long enough to worry about getting belly fat? And part of me is just like, holy fuck, is there anywhere the weight-loss-industry octopus *won’t* stick its tentacles?
Don’t ask me why I was looking up reviews of grappling hooks on Amazon, but this one made me laugh.
I like this disclaimer from The New Yorker’s tablet edition.
This always appears in the print edition as well, and has long been one of my favorite little secrets about the magazine. Of course this is how a traditional New Yorker reader would view going to a rock club. It fits in very well with Jon’s theory that New Yorker articles are 35% longer than they need to be, because the whole enterprise was designed for the leisure class.
Kickass Cover of the Day: Mondays suck — so here are Nicki Bluhm and the Gramblers covering Hall and Oates’ “I Can’t Go for That (No Can Do)” while riding around in a van.
[b3ta.]
Delightful. Especially love the harmonies on the bridge.