Posted 1 day ago

I’m in Paper magazine!

Hi everyone,

I did two articles for a big spread on food and food culture for the May issue of Paper, and they’re finally up online! I hope you enjoy them. I was not present when the amazing photos were taken, but I wish I was. 

The Food Networks: Scribe Winery

The Food Networks: The Pizza Project

I have yet to see the print issue, but you will know when I do, because my squee-ing will be heard from thousands of miles away. 

(Also, yes, Andrew Mariani really does look like a male model in person.)

Posted 5 days ago

On San Francisco

“It is a wild time here [in San Francisco], is it not?” I said to the man.  

“It is wild. I fear it has ruined my character. It has certainly ruined the characters of others.” He nodded, as though answering himself. “Yes, it has ruined me.”

“How are you ruined?” I asked.  

“How am I not?” he wondered.  

“Couldn’t you return to your home to start over?”

He shook his head. “Yesterday I saw a man leap from the roof of the Orient Hotel, laughing all the way to the ground, upon which he fairly exploded. He was drunk, they say, but I had seen him sober shortly before this. There is a feeling here, which if it gets you, will envenom your very center. It is a madness of possibilities. That leaping man’s final act was the embodiment of the collective mind of San Francisco. I understood it completely. I had a strong desire to applaud, if you want to know the truth.”

“I don’t understand the purpose of this story,” I said.

“I could leave here and return to my hometown, but I would not return as the person I was when I left,” he explained. “I would not recognize anyone. And no one would recognize me.” Turning to watch the town, he petted his fowl and chuckled. A single pistol shot was heard in the distance; hoofbeats; a woman’s scream, which turned to cackling laughter. “A great, greedy heart!” he said, and then walked toward it, disappearing into it.

— Patrick Dewitt, The Sisters Brothers

Posted 3 weeks ago
I have always used substances to cope with my anxiety. At different moments in my life, I have become completely lost in food, drugs, alcohol or cigarettes. Sometimes it seemed that survival would have been impossible without them. But after five years in therapy I can now admit that I probably would have been fine without the substances. What really makes my anxiety go away is time and distance. But here’s the thing: part of me doesn’t want it to go away. I actually thrive on and revel in the heart pounding and discomfort, and I enjoy it even more when I am dumping booze or cigarettes on the fire that is burning in my heart and brain.
This article isn’t particularly notable, but I love this paragraph. 
Posted 3 weeks ago

beatyourwings:

I never thought I’d say this, but I’m with you on this one, Shep.

Posted 1 month ago

Freelance life, baby.

Posted 1 month ago
Picture by Tejal Rao, the new food critic for the Village Voice, and my new best friend (she doesn’t know it yet). 

Picture by Tejal Rao, the new food critic for the Village Voice, and my new best friend (she doesn’t know it yet). 

Posted 1 month ago

Don’t be afraid of your anger.

I think my writing here can sometimes seem like it’s about a desperate search for a boyfriend, but what it’s really about is a search for self-mastery. I don’t know or understand myself at all, and I feel that more and more each day, when I should actually be feeling comfortable and growing into myself. Each interaction should be a chance to fail upwards, but instead, I fail into a place of deep sadness, fall away back into my solitude, feel so empty, unconnected, untethered. These little kinships should be bringing me closer to humanity, not making me feel increasingly disconnected from all of it. 

I walk to my dates, and homeless men accost me, wink, holler, tell me about my shoes or my outfit. Then I get to where I’m going, and I feel tiny, unmoored, ignored. An iPhone and a watch are much more interesting than anything I have to say, and I get left with a cursory goodbye that clearly indicates this is the beginning and end of the interaction. Then it’s back to my house, more yelling, more “hey girl,” more chatter. The mix of fear and disinterest, of feeling the other person’s boredom on the date and feigning my own cultivated boredom on the street, feels so toxic. It’s a potent reminder that I’m being judged every second of the day, because I am. 

I don’t feel like a body. I don’t feel like the clothes that body wears. I don’t even really sometimes feel like the words that come out of my mouth. I feel like my mind and what I think and what I feel. In my house, I can be all of those things; with my friends, I can be all of those things. But outside, I’m everyone’s business, whether they decide to verbalize it or not. And I. Hate. It. 

I try to look at the first two panels of this comic a lot, but it doesn’t make the feeling go away. There’s a lot of hurt and anger in there. And sometimes, just when I feel free, I get reminded of what I am and what I’m doing again, and I crash back down to Earth, hard. 

I feel so cramped inside of myself, like my soul is just this tangle of kudzu about to burst out of my body. 

Posted 1 month ago

These ads have been popping up all over the Muni underground. Part of me is astonished by them; we live in a world where HIV not only isn’t a death sentence, but allows you to live long enough to worry about getting belly fat? And part of me is just like, holy fuck, is there anywhere the weight-loss-industry octopus *won’t* stick its tentacles?

Posted 1 month ago
Posted 1 month ago
It should be noted that they were all really smart girls, ones who ultimately ended up at great schools and are now doctors, playwrights, and scientists. I always think back on these friends when I see lyrical, “coming-of-age” films about precocious young women. These are the kids milling around the Advanced Math classes and Gifted-Talented camps where you’d probably expect to find Salinger’s charming Glass children or Wes Anderson’s pretty phenoms: deeply strange, weird nerds who smell like primrose and armpit and save their allowance money to buy pewter figurines. Proving a personal theory: fictional or real, precocious young people are actually pretty gross. Leave them alone to be larvae.
Posted 1 month ago

Don’t ask me why I was looking up reviews of grappling hooks on Amazon, but this one made me laugh. 

Posted 1 month ago
I visited the pig before breakfast and tried to tempt him with a little milk in his trough. He just stared at it, while I made a sucking sound through my teeth to remind him of past pleasures of the feast. With very small, timid pigs, weanlings, this ruse is often quite successful and will encourage them to eat; but with a large, sick pig the ruse is senseless and the sound I made must have made him feel, if anything, more miserable. He not only did not crave food, he felt a positive revulsion to it. I found a place under the apple tree where he had vomited in the night. At this point, although a depression had settled over me, I didn’t suppose that I was going to lose my pig. From the lustiness of a healthy pig a man derives a feeling of personal lustiness; the stuff that goes into the trough and is received with such enthusiasm is an earnest of some later feast of his own, and when this suddenly comes to an end and the food lies stale and untouched, souring in the sun, the pig’s imbalance becomes the man’s, vicariously, and life seems insecure, displaced, transitory.
A beautiful E.B. White story about a dying pig, but not the one you’re thinking of. 
Posted 1 month ago

The first time I try to succeed at anything

whatshouldwecallme:

GPOY

Posted 1 month ago
jaygabler:

I like this disclaimer from The New Yorker’s tablet edition.

This always appears in the print edition as well, and has long been one of my favorite little secrets about the magazine. Of course this is how a traditional New Yorker reader would view going to a rock club. It fits in very well with Jon’s theory that New Yorker articles are 35% longer than they need to be, because the whole enterprise was designed for the leisure class. 

jaygabler:

I like this disclaimer from The New Yorker’s tablet edition.

This always appears in the print edition as well, and has long been one of my favorite little secrets about the magazine. Of course this is how a traditional New Yorker reader would view going to a rock club. It fits in very well with Jon’s theory that New Yorker articles are 35% longer than they need to be, because the whole enterprise was designed for the leisure class. 

Posted 2 months ago

thedailywhat:

Kickass Cover of the Day: Mondays suck — so here are Nicki Bluhm and the Gramblers covering Hall and Oates’ “I Can’t Go for That (No Can Do)” while riding around in a van.

[b3ta.]

Delightful. Especially love the harmonies on the bridge.